By EDITOR-IN-CHIEF: Art Tipaldi
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Extra info for Blues Music Magazine #5
I’d do three-day writing sessions with those guys. I went one more time this year before we recorded the record and really got some of the best stuff. I’m proud of the fact that I stuck to it and was able to get this at the same time I was recording the London shows. studio and hash out the arrangements. Things like, let’s put the chorus here or let’s start with this verse. We map it out and two or three takes later, the song is finished. BMM: How did this experience recharge your creative batteries?
I was on the BMI site, and I went through everything. The songs I picked were a mixed bag. BMM: How did you decide which to use? Dave: I was about 13, and he [Phil] was about 15, when Phil brought home a reissue album and there were certain songs on there, “Bill Bill Blues,” and “Feel So Good,” that Phil started singing immediately. He would perform them in the blues band he had as a teenager. So that one was a given. We have to do some of those. My other criterion was stretching the boundaries.
Com Lisa Biales –“Graveyard Dead Blues” from the album Belle Of The Blues on Big Song Music. On this offering Biales is, as advertised, the Belle of the Blues. “Graveyard Dead Blues” is a deadly love song. With the help of some mighty fine Dobro work from Tommy Talton, Biales belts it out Bonnie Raitt-style. com John Mayall –“World Gone Crazy” from the album A Special Life on Forty Below Records. In 2014, John Mayall celebrated his 80th birthday with the release of his first studio album in five years.