Creativity : fostering, measuring and contexts by Alessandra M. Corrigan

By Alessandra M. Corrigan

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If beauty was no longer a basis upon 16 Gerd Schneider, ―Time and Time Again: Perspectivism, Primeval Power, and Eternal Recurrence in the Works of Friedrich Nietzsche and Arthur Schnitzler,‖ Turn-of-the Century Vienna and Its Legacy, Essays in Honor of Donald G. Daviau, ed. By Jeffrey B. Berlin, Jorun B. Johns, Richard h. Lawson (Edition Atelier, 1993), 109. , 109. 18 H. E. , 1970), 75. 19 H. E. , 75. 20 H. E. , 75. 21 H. E. , 75. 22 Gombrich, op. , 437. Creativity and Perceived Truths 37 which to determine standards for artistic expression, particularly those determined according to various mathematical principles, what would take its place?

London, Routledge. Sagan, O. (2007a). Research with Rawness: The remembering and repeating of auto/biographical ethnographic research processes. Ethnography and Education 2(3): 349-364. , Strong, C. & Ketter, T. (2005) Creativity in familial bipolar disorder Journal of Psychiatric Research, 39, 623-631. Sawyer, R. K. (2006). Explaining Creativity: The Science of Human Innovation by R. Keith Sawyer. Oxford, Oxford University Press. Scharfstein, B. (2009). Art Without Borders: A Philosophical Exploration of Art and Humanity, Chicago, University of Chicago Press.

Perhaps the most basic factor is perception, though this alone cannot explain such truths. Instead, perception must be considered in conjunction with imagination—indeed, with the imagination, with conjurations and projections of the mind. Relevant to this discussion is John Onians‘ book Neuroarthistory,4 in which he devotes a short chapter to Alhazen (965–1040), who, in his Book of Optics, draws upon the writings of Ptolemy on mathematical optics (2nd century CE) and of Galen on physiology (3rd century CE).

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