Frameworks, artworks, place : the space of perception in the by Tim Mehigan

By Tim Mehigan

How house - psychological, emotional, visible - is implicated in our structures of fact and our paintings is the focal point of this set of leading edge essays. For the 1st time artwork theorists and historians, visible artists, literary critics and philosophers have come jointly to assay the matter of area either inside traditional self-discipline obstacles and throughout them. What emerges is a stimulating dialogue of the matter of embodied house and located recognition that would be of curiosity to the final reader in addition to experts operating within the fields of paintings historical past and artwork perform, literature, philosophy and schooling

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The Painting of Philosophy 35 claims that ‘no learned person will deny that no objects in a painting can appear like real objects unless they stand to each other in a determined relation’ (Alberti 1435: 57). Only what is here doing the spatially relational determining? For Kant, as I have just cited him to say, it is ‘a property of our mind’. But for Alberti, the determining factor is ‘nature herself’. In a curious conclusion to his costruzione legittima, Alberti seems to suppose that the representation of space in perspectival form is just empirically derived.

36 Peter Leech quotation from Protagoras which I noted earlier: namely, that ‘man is the scale and the measure of all things’. ’ (Kant 1781/1787: 71). The second point concerns geometry, and a deep problem in the theory of perspective itself, of which I shall indicate no more here than that the theory itself has – from the start – hovered uncertainly between geometry (which one might be inclined to call an a priori science), and optics (which one might be inclined to call an a posteriori, or empirical science).

Mantegna. Berkeley, and Los Angeles: University of California Press, 1986. Locke, John. An Essay Concerning Human Understanding. (1690). Ed. Woozley. London: Collins, 1964. Muraro, Michelangelo. Arte, Pensiero e cultura a Mantova nel primo Rinascimento in rapporto con la Toscana e con il Veneto: Atti del VI Convegno internazionale di Studi sul Rinascimento. Florence: Istituto Nazionale di Studi sul Rinascimento, 1965. Musgrave, Alan. Common Sense, Science and Scepticism. Cambridge: Cambridge University Press, 1993.

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