Inspired Every Day: Essays & Stories to Brighten Your Day, by Patricia Crisafulli

By Patricia Crisafulli

Finding remarkable grace in usual moments

This number of brief tales and essays celebrates reconnection, danger, religion, forgiveness, pleasure, and love, encouraging readers to discover moments of outstanding grace in the middle of traditional life.

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Additional resources for Inspired Every Day: Essays & Stories to Brighten Your Day, Give You Hope, & Strengthen Your Faith

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THE WORLD, that stepped / into our empty hour: // Two / tree-trunks, black, / unbranched, without / knots. / In the jet-trail, sharp-edged, the / one / free- / standing top-leaf. ) (1:190) Like many of Celan’s poems, this one seems based on a sensory impression, yet the impression is conveyed in such a way that we have difficulty making out exactly what he saw. ) is not easy to account for. But it is clear from the first two lines that this picture, whatever it was, seemed to the poet to summarize our whole existence.

Es ist das Gegenwort, es ist das Wort, das den “Draht” zerreißt, das Wort, das sich nicht mehr vor den “Eckstehern und Paradegäulen der Geschichte” bückt, es ist ein Akt der Freiheit. Es ist ein Schritt. After all those words uttered on the rostrum (it’s the scaffold)—what a word! It is a counter-word, a word that snaps the “wire,” a word that no longer bows to “history’s loiterers and parade-horses,” it is an act of freedom. It is a step. “Free(dom)” is another keyword, both in “The Meridian” and in the poems.

Erotic candor is nothing new in the Jewish tradition, beginning with the Song of Songs and continuing in the Zohar. Rabbi Akiva declared that the Song of Songs was “holy of holies,” 62 but this was contingent on a view of the Song of Songs as allegorical (the masculine partner as God, the feminine partner as the people Israel). 63 Rabbi Akiva also said that whoever sings the Song of Songs in the tavern has no share in the World to Come. 64 One might Idolatry, Determinism, and Freedom 25 also think of the “Talmudic legend,” cited by Walter Benjamin in his essay on Kafka, of a princess (the soul) “languishing in exile, in a village whose language she does not understand” (the body), who receives a letter from her betrothed (the Messiah) announcing that he is on his way to her.

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