Interactive Composition: Strategies Using Ableton Live and by V.J. Manzo

By V.J. Manzo

Interactive Composition empowers readers with the entire sensible abilities and insights they should compose and practice digital well known track in a number of renowned kinds. The booklet starts by means of introducing all the instruments desirous about growing interactive compositions during the software program Ableton dwell and Max for reside. the next chapters then positioned the instruments to exploit by way of either describing specific musical types and in addition instructing readers easy methods to compose and practice inside of those kinds utilizing the software program. As readers progresses during the booklet, they are going to learn how to use the software program to facilitate their very own designated compositional goals.

This ebook takes readers via all the steps in designing interactive song compositions. it's aimed at either novices in addition to intermediate and complicated readers, and so readers with even little event operating with electronic audio software program will speedy the best way to layout strong platforms that facilitate their designated compositional principles.

A specific characteristic of this e-book is that it discusses the historic context of numerous digital tune types utilized by DJs, digital musicians, and different artists, after which describes, utilizing software program, the technical procedure utilized in the composition and function of those kinds. every one bankruptcy leads readers to create an unique composition in a given kind and likewise discusses the options that may be used to accomplish the piece in an idiomatic type.

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Extra resources for Interactive Composition: Strategies Using Ableton Live and Max for Live

Sample text

It may be necessary to change your audio driver by selecting it from the Driver Type menu in order to reveal your soundcard; this is sometimes necessary with ASIO soundcards on Windows or audio interfaces that have specialized drivers. 9 Audio preferences menu showing soundcard options. Depending on the type of soundcard you have in or connected to your computer, you will be able to record audio using a number of input streams known as channels. For example, if your computer has a builtin microphone, you can ­ typically record two audio channels simultaneously, as a pair, or each channel independently.

MIDI Pitch Editor Since this clip is a MIDI file, Clip View allows us to see the pitches represented in Live’s MIDI Note Editor (which some other DAWs refer to as a Piano Roll Editor). The MIDI Note Editor allows us to change the MIDI data within this clip and even add or delete MIDI notes. At the top left of this editor is a small circular icon with a tiny pair of headphones in it. Clicking on this circular Preview headphone icon will allow you to hear the MIDI data in the MIDI Note Editor when selected.

Instead it refers to a rate by which an audio signal—for example, you singing the note A, which 36 is a continuous flow of audio—can be broken down into “discrete” and evenly spaced series of signals. In digital audio, each of the discrete signals is given numerical values to represent the overall continuous signal that was broken down. Each of these values is referred to as a sample. There are different numerical rates by which someone can sample audio. For example, many computer soundcards can record 44,100 samples per second.

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