By Drs. Hedy D’Ancona (auth.), Martine Briat, Judith A. Freedberg (eds.)
The Programme for the 3rd Symposium at the overseas artwork alternate and legislations was once built via the Institute for foreign company legislations and perform of the foreign Chamber of trade and its Chairman, Prof. Pierre Lalive who has additionally supplied the Preface to this quantity. below the auspices of the Institute, a Questionnaire was once formulated and circulated. The accrued fabrics have been reproduced and dispensed on the Symposium by way of the Amsterdam Chamber of trade. journalists from 13 nations answered to the Questionnaire. at the foundation of those nationwide studies, basic studies have been ready and offered on the Symposium. half one in every of this quantity comprises: - Questionnaire masking themes 1-5 - common info on a couple of international locations taken from the nationwide reviews. half is split into 5 Sections, corresponding with the 5 themes addressed within the Questionnaire: subject 1. Freedom of museums to promote, exchange or in a different way do away with gadgets of paintings of their assortment subject 2. Freedom of creditors to promote or provide away all or a part of their collections subject three. Rights of artists and their heirs subject four. public sale revenues and stipulations subject five. foreign transitority exhibitions and coverage by means of Concluding comments via Prof. John H. Merryman.
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Additional info for International Art Trade and Law / Le Commerce International de l’Art et le Droit
Art. 6(4) FLPM, HELFGOTI, Die Rechtsvorschriften fUr den Denkmalschutz, p. 70. 27 AUSTRIA: INTRODUcnON PART ONE: GENERAL The voluntary sale, gift, exchange or mortgaging of individual objects from private collections which, as a unit, have been declared to constitute a menument, requires the written consent of the Federal Monuments Office. Such a sale without the written consent is null and void pursuant to Art. 879 ABGB (Austrian General Civil Code). An object sold without such consent may be declared forfeited.
3. Is it possible to assign any of the above-mentioned rights to the heirs of an artist? If yes, which rights, to which heirs, and how must they be assigned? TOPIC 4. AUCTION SALES AND CONDmONS 1. Are auction sales conditions regulated in your countries? If yes, by whom? How? 2. Can you provide us with the text of standard auction sales conditions? 3. What are the risks involved in auctioning works of art of unclear origin or ownership? How do auction sales conditions deal with these problems? What other commercial realities have a bearing on these problems; please give examples.
The stated purpose of the Law is to 'preserve and utilize cultural properties, so that the culture of the Japanese people may be furthered and a contribution be made to the evolution of world culture' (Art. 1). ) and (iv) 'Monuments' (Art. 2). If an object fits within the class of Tangible Cultural Property, the degree to which its disposition is regulated depends on whether it is further classified as an Important Cultural Property. If so, it is registered and its possession, repair, alteration, sale, export and transfer are strictly regulated by the Law.